Editing / Mixing
- Naming scheme, as with existing: C8v1, for instance.
- initially in folders by note name
- use Python to move between mic and note file structures
- batch denoise with RX; keep original though! need to move to folders by mic image first, and create "silent" files.
- Python for creating mixes, followed by rebalancing, possibly onset detection and trimming, and adding fades.
-- also, some cleaning up? For instance, discovered that there is some noise at the end of A0v1, would be easiest NOW to just trim the last two seconds off...
Sharing
Taplin
- Tune 1-2 times beforehand
- Andrés has mic setup in mind with multiple images
Specs/Process
- 96k, 24bit
- Every m3rd
- 16 velocity layers (fewer for una corda)
-- use dB meter
-- so, 30 x 16 = 480 samples per set
- LONG ringdown (we want good long tails)
- Quiet silent key release at end of bringdown
Sets
Short strikes for resonance (2-3 velocity layers, will have to edit out strike for later, to isolate resonance)
Examples for modeling
- resonance; various combinations
- half-pedaling
Editing / Mixing
-- also, some cleaning up? For instance, discovered that there is some noise at the end of A0v1, would be easiest NOW to just trim the last two seconds off...
Sharing
Taplin
Specs/Process
-- use dB meter
-- so, 30 x 16 = 480 samples per set
Sets
Normal
-- without sustain pedal
-- do Normal, leave una corda til end, and omit if we don't have time
Hammers
-- 2-3 release speeds, every key
Short strikes for resonance (2-3 velocity layers, will have to edit out strike for later, to isolate resonance)
--
-- depress
-- release
Examples for modeling